A Fatal Crossing: Agatha Christie meets Titanic in this unputdownable mystery

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A Fatal Crossing: Agatha Christie meets Titanic in this unputdownable mystery

A Fatal Crossing: Agatha Christie meets Titanic in this unputdownable mystery

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When an elderly gentleman is found dead at the bottom of a staircase, Tim believes it to be a terrible accident, but James Temple, a surly Scotland Yard detective, is suspicious right from the start, and he’s determined to investigate. The ship’s Captain isn’t happy about this, it wouldn’t do to have the passengers believing there’s a killer on board, but he allows Temple to proceed as long as Tim shadows him as he carries out his interviews. With Tim’s personal problems though, he’s possibly not strong enough mentally, to deal with the proceedings. The action unfolds at a rip-roaring pace in this perfectly executed homage to the Golden Age of crime, which features a deviously devised plot boasting a final twist worthy of Christie herself. I absolutely loved it' Anita Frank

November 1924. The Endeavour sets sail for New York, with 2,000 passengers - and a killer - on board. Most of the characters are unlikable but that did not spoil the story at all if anything it only added more suspects to my list. From the despised to the pitied they are not only well-developed but realistic. With twist after gut-punching twist, A Fatal Crossing really is an ingenious thriller. Highly recommended.' M. W. Craven Temple is furious that he has to put up with Birch, and so begins their acrimonious partnership in which the pair have 4 days to find a killer, after which the liner arrives in New York, the passengers disembark, and there will be no chance of resolving the case. Birch is a traumatised man who served in the war, left with a bullet wound in his shoulder. His daughter, Amelia, has been missing for 2 years, and his marriage to Kate has fallen apart. He blames himself, he is a shadow of the man he used to be, putting his hopes in finding Amelia on the only person he has any faith in, American Raymond, clinging to a yellow ribbon belonging to Amelia as if his life depended on it. Virtually all the crew, with the exception of Wilson avoid Birch, he is incapable of maintaining any relationship. Temple is a man with his own demons and secrets, he refuses to divulge what police business has him travelling on the liner. As a lifelong fan of Agatha Christie and any kind of murder mystery set in a hotel or a manor house this book instantly appealed to me. The author is clearly a fan as well, as scattered throughout are subtle nods to the Queen of Crime and her works. The party is thrown by Will, a young man who works in the antiques shop and among the guests are the head of the local tourist board and Damian White, a very rich man who has just bought the local lighthouse. Mr White is universally despised in the town and so when he is found dead in an upstairs room there are no shortages of suspects.

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The pace of the book was okay, it was neither super fast nor agonizingly slow, just perfect. I loved that we get different perspectives throughout the night, to get inside scopes to the different guests' mind and their anxiety through the night. There were some incredible twists to the plot, none more than the final twist. I would never have seen that coming and I really didn't sense any foreshadowing even on reflection. Raymond maybe had me wondering at something but I wasn't sure what.

It’s New years eve and a murder mystery party is being held at Hamlet Hall hotel. A hotel that has seen better days. In a secluded area of North Devon and there is no phone signal. There are eight guests, all with secrets of their own. Which had something to do with a body that is found on a beach over twenty years ago. The owner of Hamlet Hall has organised a murder mystery evening with a 1920s twist, and everyone has their own part to play.

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The characters were mostly unlikeable apart from Theo, one of the actors hired for the party, and Lily, the victim’s daughter. I would have quite liked to see them team up and try and solve the mystery together.

When an elderly gentleman is found dead at the foot of a staircase, ship's officer Timothy Birch is ready to declare it a tragic accident. But James Temple, a strong-minded Scotland Yard inspector, is certain there is more to this misfortune than meets the eye. We also meet a whole range of people – who between them have a whole host of secrets! Not many of them were very nice people, but that’s fine as I was convinced that each of them in turn was the killer. I honestly suspected everyone – except there’s no way I’d have predicted the ending of the novel. The whole story takes place over a four day period in November 1924 as the cruise liner Endeavour approaches New York from Southampton with two thousand passengers and crew on board. When an elderly man is found dead at the bottom of a staircase, the ship’s captain assumes – and hopes – that it’s an accident. However, James Temple, a Scotland Yard inspector, happens to be one of the passengers on the voyage and, after examining the body, he is convinced that the old man has been murdered. The captain gives Temple permission to investigate the crime, but only if he agrees to be accompanied by one of the ship’s officers, Timothy Birch.It’s quite clear that on a ship you’re a captive audience, but imagine being on said ship with a killer on board! That said, I’d whole-heartedly recommend this lively and entertaining mystery. The twists are suitably twisty and the denouement genuinely surprising. The setting is vivid and the characters are well-drawn, even if you do love to hate them at times! When I first came across this book, it seemed like something I would absolutely love. Set in 1924, aboard a transatlantic liner travelling from Southampton to New York, this seemed to have the period flavour I love and a great setting. The Endeavour, with two thousand on board, is a wonderfully self-contained world, which seems ideal for a mystery. Temple and Birch make an interesting partnership, particularly as it’s a very reluctant one! As an intelligent, competent and experienced detective, Temple is not at all happy about having an inept and bumbling ship’s officer shadowing his every move, saying the wrong things and interfering with the investigation. Birch is our narrator, and as we only see things from his point of view, Temple comes across as bad-tempered, rude and hostile, but there are hints that there’s more to each character than meets the eye. While Temple’s past and his reasons for boarding the Endeavour are shrouded in mystery, we learn that Birch is haunted by the disappearance of his young daughter Amelia and the breakdown of his marriage.

The story brought two key characters in Birch, the ship's officer and Temple, the policeman who happened to be on the boat; don't ever believe in coincidences. Birch really had my heartstrings with his rather tragic past and depressed nature. I liked him a lot and felt him to be the intergrity compass of the piece. Temple seemed shady from the start with a slice of maybe he's okay. A Fatal Crossing by Tom Hindle is a mystery set on the Endeavour, a cruise liner travelling to New York in the winter of 1924. This piece of historical fiction grips us from the very start when Timothy Birch, the ship's officer, is led to deal with the death of an elderly gentleman. When detective James Temple demands an investigation, the ship’s captain insists Birch accompany Temple throughout. The plotting is clever and detailed – there’s even lots of recaps and explanations for those of us who need reminders to keep up! The disadvantage to this is that is does slow down the narrative a little at times (and it is quite a long book).I guess I just wanted to know who the murderer was but guess what, it’s only been three weeks since I finished the book and I have already forgotten, lmao. Overall it’s a good read and it was an entertaining few hours but it just didn’t have the depth and complexity I was hoping for. The very first thing I noticed about this book was the author’s writing style. Calling it juvenile might go a bit too far but it was definitely too tame for my taste. Bland and boring, it was immediately forgettable and repetitive. It’s always “the ship stretches the best part of…” or “the best part of fifty thousand tons” or “the restaurant’s capacity to seat the best part of five hundred diners” or “the best part of an hour/minute”…



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  • EAN: 764486781913
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