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Lynch on Lynch

Lynch on Lynch

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Price: £9.495
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How does meditation get rid of negativity? Picture it this way: You are the Empire State Building. You've got hundreds of rooms. And in those rooms, there's a lot of junk. And you put all that junk there. Now you take this elevator, which is going to be the dive within. And you go down below the building; you go to the Unified Field beneath the building - pure consciousness. And it's like electric gold. You experience that. And that electric gold activates these little cleaning robots. They start going, and they start cleaning the rooms. They put in gold where the dirt and junk and garbage were. These stresses aht were in there like coils of barbed wire can unwind. They evaporate, they come out. You're cleaning and infusing simultaneously. You're on the road to a beautiful state of enlightenment." If we humans – or even a few of us – work together on this, we can speed through this transition and the goals will be a living reality. Enlightenment for the people and real peace on earth. Real peace is not just the absence of war, but the absence of all negativity. Everyone wins.” What makes this book endearing is its chatty, calm...anti-Hollywood attitude…and matter-of-fact defiance of reality.’

As star Laura Dern said about Lynch’s intent with the movie: “If you’re in it for the result then you can’t experiment, but if you’re there to redefine art you can do anything.” Oh, and the release of ‘INLAND EMPIRE’ coincided with the launch of the David Lynch Signature Cup Coffee. See, far ahead of the curve. Fitzgibbon, Coleen and Simmons, Will. “On the Paintings of David Lynch.” BOMB Magazine, 2 April 2015. Magazine. Web. Ziman, Sofia. “David Lynch Gets Gallery Representation.” Cultured, 9 October 2022. https://www.culturedmag.com/article/2022/10/09/david-lynch-filmmaker-painter-exhibition David Lynch: Dark Splendor (exhibition catalogue). Edited by Werner Spies. Brühl: Max Ernst Museum, 2009. Boyle, Meka. “David Lynch’s art is a window into his strange, elusive world” (Pace Gallery exhibition review). Document Journal, 5 December 2022. https://www.documentjournal.com/2022/12/david-lynch-art-big-bongo-nights-i-like-to-see-my-sheep/

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An unprecedented look into the personal and creative life of the visionary auteur David Lynch, through his own words and those of his closest colleagues, friends, and family - adapted by David Lynch from the print book especially for this audio program.

Williams, Maxwell. “David Lynch Continues to Haunt American Culture, Onscreen and On Canvas.” Artsy, 6 November 2014. Web. David Lynch: Between Two Worlds, Queensland Art Gallery, Brisbane, Queensland, March 14–June 7, 2015. (Catalogue) Dark Images: David Lynch on Sylt, Galerie Chelsea Sylt, Kampen, Germany, May 27–September 30, 2012.Are you still wondering about that awful-looking stuffed robin at the end of Blue Velvet, or the way certain characters disappear into thin air on screen for no apparent reason, or the dancing midget, or the girl in the radiator, or the life-size bunnies, or the 1001 other anomalies? You are not alone. The hallmarks of Lynch's work are so memorable because they are so ridiculous. He talks about a few of those quirks in this book, but not all of them. David Lynch and William Eggleston: Photographs, Galerie Karl Pfefferle, Munich, Germany, March 20–May 9, 2009. Brown, Mark. “Damn fine coffee and an individual slice of visual art – two sides of David Lynch.” The Guardian, 11 December 2014. Web. If you have a golf-ball-sized consciousness, when you read a book you’ll have a golf-ball-sized understanding; when you look out of the window, a golf-ball-sized awareness, when you wake up in the morning, a golf-ball-sized wakefulness; and as you go about your day, a golf-ball-sized happiness. But if you can expand your consciousness, make it grow, then when you read that book, you’ll have more understanding, when you look out, more awareness, when you wake up, more wakefulness; and as you go about the day, more inner happiness". David Lynch: The Unified Field, The Pennsylvania Academy of the Fine Arts, Philadelphia, September 13, 2014–January 11, 2015. (Catalogue)



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